About
Jemima
Jemima Gray is a South African-born mezzo-soprano and multidisciplinary performer currently studying at the Royal Northern College of Music under the tutelage of Mary Plazas. With a background rooted equally in music, theatre, and movement, her work is shaped by a deep curiosity for storytelling in all its forms — whether through opera, spoken text, physical performance or song.
Before specialising in classical voice, Jemima trained at the Sylvia Young Theatre School, where she developed a wide-ranging performance practice across acting, dance and music. Trained in jazz, contemporary, ballet, tap and ballroom, she brings a strong physical instinct to her work on stage, alongside an emotional honesty that continues to define her performances. Her artistic approach is grounded in character, language and connection — an interest that extends beyond music into poetry, literature and contemporary theatre.
Alongside her operatic training, Jemima has performed an extensive range of dramatic repertoire. Previous roles have included Titania in A Midsummer Night’s Dream, Blanche DuBois in A Streetcar Named Desire, Abigail in The Crucible, and the title roles in Medea and Elektra. She also appeared as Tess in A Winter’s Tale with Curious Opera Company, and originated roles in Andrew Shakeshaft’s new works Eggshell Crucifix and Icarus’ Sister. These experiences continue to inform her work as a singer, nurturing a performance style that is expressive, instinctive and text-driven.
Operatic highlights include the Forester’s Wife in The Cunning Little Vixen, Clarisse in The Love for Three Oranges, Kate Julian in Owen Wingrave, and The Abbess in Suor Angelica. Other recent work includes Dorabella in Così fan tutte with the National Opera Studio’s Exploring Opera programme, The Attendant in A Trip to the Moon with Garsington Opera, and cover Hänsel in Hänsel und Gretel with the Berlin Opera Academy.
In 2025, Jemima was named a Buxton International Festival Young Artist and made her debut at Wigmore Hall in May 2025, premiering two new works by Roxanna Panufnik. She was also a finalist in the Frederick Cox Competition that same year, and has since been recognised as a finalist in the Joyce and Michael Kennedy Award for the Singing of Strauss.
Upcoming engagements include performances with Opera Holland Park in the choruses of Turandot, Die Fledermaus and Un Ballo in Maschera, alongside performing the role of Lucia in Cavalleria Rusticana in Lake District Music’s summer festival.
At the heart of Jemima’s work is a love for truthful, communicative performance — work that values vulnerability as much as technique, and imagination as much as precision. Whether performing opera, art song or theatre, she is drawn to work that explores the complexity of human emotion and invites audiences into something intimate, immediate and alive.